If you step into Eileen’s taxi, you better fasten your seatbelt and keep your mouth shut in case you get on the wrong side of the driver. With a single phrase she has the superpower of being able to massively escalate or totally defuse a situation, usually the former, rarely the latter.
Ballywalter is a gentle and rather pleasing story of depression, broken dreams and second chances. The road to recovery is bumpy for both Eileen and Shane. Seána Kerslake fills Eileen with an intensity in every situation, a woman with no time for nonsense, but capable of making Wagon Wheel sound like a disco hit that should be played across the clubs of Belfast. And despite her abrupt front, she listens, and learns.
Prasanna Puwanarajah’s debut feature is a refreshingly honest exploration of despair that puts the village of Ballywalter on the map … though local audiences will need to suspend disbelief as it’s depicted as somewhere nearer Holywood (a short drive from the city centre) rather than its real location down the Ards Peninsula. Well worth catching at local cinemas.
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