Walking into The Elf Inspectors is like stepping into another world. A room I’ve previously live-streamed conferences from on the top floor of the MAC has been turned into a circular glade surrounded by Christmas trees. Elves – you can tell they’re elves by their ears – greet everyone and speak with in a distinctive elvish dialect of English, cutely mixing up some consonants and emphasising syllables in unusual ways. Soft shag rugs can be sat on if an upright chair isn’t your thing. Gentle music calms heartrates that may have been racing due to that morning’s blockage on the Westlink. It’s all very comfy and wholesome. Even the stage management team – shout out to a busy Jordan Nelson and Rick Paine – are in costume.
While everyone gathers, some of the youngest visitors wander around the exciting environment while their frustrated parents try to get them to pose for photographs. There is much to see, and a lot of freedom to explore, even before the show gets underway with its bubbles and snow and so much more.
Soon Nice Elf and Helpful step onto the central dias to remind us that we’re all here as part of an inspection team checking out the rumours that there’s been a decline in the quality of the Christmas magic at this site. The elves’ generator has been on the fritz for quite some time.
Nice Elf (Catriona McFeely) is prone to outbursts brought on by frustration with the others around her. Helpful Elf (Ashley Montgomery) is responsible for maintenance but the generator’s crisis soon proves to be more existential than a simple repair will fix. The pair argue and bicker like sisters. As they rack their brains for solutions, even trying to use the sprinkle train – a very popular moment with the young inspectors – proves insufficient to sooth the generator and restart the magic.Later we meet Wise Elf (Carol Moore) who spins a yarn while we cosy up in the shade of our family tree. The appearance of Rascal Elf (a superb piece of typecasting of Keith Singleton) adds even more humour. Is he truly naughty – the dreaded N word – or just misunderstood?
Some audience members are caught up in marvelling at the multi-sensory set: the trees, the texture of the rugs and the ‘sprinkle train’, being able to pull a fabric cracker, observing the detailing in the colourful costumes (designed by Susan Scott). Others get to grips with the emotional journey of the story as the four elves get to the root cause of the generator’s malaise.
Nice Elf’s song rounds up the 50-minute show with a catchy chorus (written by sound designer Garth McConaghie) that I found myself singing along to. Leaving the theatre and heading back into a blustery world, I share ‘wiggly wishes’ with someone who wasn’t at the show. They probably thought I was an eejit!
Janice Kernoghan-Reid wrote and directed The Elf Inspectors. The gradual build-up from two to three and finally four elves on stage is likely a deliberate decision given the age of the target audience (2-5 years old), but it does mean that the calming granny-like figure of Moore and the magnetic presence of Singleton are only on stage for part of the performance.One of the joys of Replay’s work is that the actors adapt the story – how and in what positions it is told – based on the audience. So a wandering child or an aside that someone shouts out will be instantly and quite seamlessly woven into the scene. Nothing induces panic. And much of the time, the warm embrace of the lighting, the set and the props perfectly steers the attention of the littlest elf inspectors.
A £31 family ticket secures four places at a Christmas tree (larger parties can contact the box office as up to two more places may be available for an extra £5 an elf inspector).
The Elf Inspectors runs at The MAC until Christmas Eve. (Weekend shows are selling very fast with more availability on weekdays.)
Photo credit: Neil Harrison
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