Showing posts with label video. Show all posts
Showing posts with label video. Show all posts

Wednesday, October 14, 2020

Singing Struggle and Agreement - discussing and singing the Good Friday Agreement! #BIAF20

Culture, in its many varied forms, can provide a window through which to view society, and also a mirror to reflect back what we might not have noticed about ourselves. We often connect emotionally with pieces of music. Songs become sporting team anthems. Music can be a passionate cry of celebration or bellow of despair.

One Sunday morning last November, I received an email from a mutual friend saying that a former NIO official had set part of the Belfast Agreement to music. But it hadn’t been sung on the island on which it was negotiated or voted upon. Did I know anyone who might tackle it?

It was clearly kind of quirky, unexpected and potentially thought-provoking event that Peter O’Neill at the Imagine! Belfast Festival of Ideas and Politics in March was indeed bound to support. I would build a panel around remembering the talks leading up to the Agreement, and Spark Opera volunteered to take on the music.

Then imminent lockdown made rehearsals impossible and the event was shelved.

But much like on off on off Northern Ireland peace talks, the event has revived and regrouped with the help of Belfast International Arts Festival in partnership with Spark Opera and Slugger O’Toole. We’d big plans for 90-strong socially distanced audiences to enjoy the even more distanced singers in the cavernous St Anne’s Cathedral. That too was stymied. The word ‘struggle’ in the event title began to take on additional layers of meaning.

Yet, festivals – and the arts community in general – are incredibly resilient. Tonight, the festival streamed our event. You can still go back to watch and hear the 25 singers (recorded on Saturday spread out across Fisherwick Presbyterian’s pews) perform a variety of songs of struggle, and one of agreement (its Northern Irish and Irish première), and listen to the panel (recorded yesterday). Can you tell the whole show was filmed by me using iPhones?!

Clare Salters set the opening preamble of the Belfast Agreement to music, subtitling her piece “p E A C E in 4/4 time”, a musical cryptogram referring to piano (soft) and the first four rising notes of the piece. The Agreement’s opening Declaration of Support is more human and less legal than the chapters that follow. It’s a verbatim piece, so all of the words in the right order, including tricky lists of cross border institutions that have got to be held in tension with each other, musically and in real life.

The musical programme includes five other pieces that shout out against tyranny, oppression, attack, and explore identity and solidarity. Spark Opera’s Hearth Chorus were joined by NI Opera’s Associate Artists and a couple of guests under the baton of Keith McAlister. Present to film the pieces – the sound engineer and me the only audience – it was moving to witness live music on that scale after so many months when buskers seemed to be all that remained.

Woven through the music is a panel discussion. Mark Devenport recalls the months he spent reporting from the car park outside Castle Buildings and the moment when Stephen Grimason arrived with a first full copy of the Agreement. Monica McWilliams tells the story from inside the negotiations, the narrow corridors, and the TV used to watch politicians negotiating on the airwaves outside the window. And there’s a story of David Ervine becoming Tarzan to quickly exit from a CNN interview conducted up a tree. We hear from composer Clare Salters, and Spark Opera’s Kate Guelke gives the music context and also reflects on how a political agreement shaped her life.

The event was free but Belfast International Arts Festival welcome donations!

Elsewhere in the festival programme, you’ll find some cutting edge online theatre – Macbeth and The University of Wonder & Imagination – alongside a very rich programme of free interviews and talks (including Stuart Maconie, Jenni Murray and Lennie Goodings). You’ll also find music, films, and you can book a slot to visit the RUA Annual Exhibition in the Ulster Museum. Full programme available on the Belfast International Arts Festival website.

cross-posted from Slugger O’Toole

 

Friday, May 19, 2017

Power of Video conference returning to Belfast on Fri 26 May

The Power of Video conference is returning to Belfast next week, switching venue to St Anne's Cathedral. It's the brainchild of local filmmakers Billy May and Damien Gallagher.

Their programme will include YouTubers, filmmakers and content makers from the commercial and social media worlds. Shonduras, Philip Bloom, Daniel and Lincoln Markham, Zack Nelson, DevinSuperTramp, Toxic Tears and Cian Twomey are among those already in the schedule.

The Friday 26 May conference hosted again by David Meade is preceded by a hands-on day of workshops. In an expanded format, there will be a street food festival beside the Cathedral and satellite events across Belfast including NI’s first international professional Drone Race to be held in T13 in Titanic Quarter.

More details on the Power of Video website and ticket site.

Saturday, July 02, 2016

"We're here because we're here" #Somme100 #wearehere

Yesterday morning in Belfast a group of men dressed in WW1 uniforms quietly marched down the Stranmillis Road and stopped outside Queen’s University, leaning against bollards, lying back on the wrought iron gate. After a while one soldier struck up the song “We’re here because we’re here” – sung in the trenches – and the other voices joined in.



When approached by a member of the public, rather than speaking they simply reached into a pocket and handed over a white card bearing the name of a local soldier who died at the Somme on 1 July 1916.



The squad moved throughout the city, appearing in Great Victoria Street bus station, outside the Europa, in Victoria Square, the MAC, the Big Fish and even caught the train to Ballymena. Another group were based in Derry. And across the UK, similar uniformed soldiers – ghosts of the war – appeared in railway stations and public places in a moving tribute to the losses at the Somme.



The juxtaposition of khaki onto the modern colour palette was striking. The sound of boots marching in formation down the footpath.



Last night, after the ghosts had disappeared from the street, the back story to the event was explained. The local volunteers, organised by Lyric Theatre and The Playhouse were part of a UK-wide collaboration that saw 1400 men appear dressed in replica uniforms. The modern memorial to mark the centenary of the Battle of the Somme was commissioned by 14-18 NOW, the UK’s arts programme for the First World War centenary, and the work was conceived and created by Turner Prize-winning artist Jeremy Deller working with Rufus Norris, Director of the National Theatre.



“The project breaks new ground in terms of its scale, breadth, reach and the number of partners and participants involved. This is the first time three national theatres have worked together on a joint project, and the first time so many theatres have worked together on a UK-wide participation project.

“The participants who walked the streets today were a reminder of the 19,240 men who were killed on 1 July 1916, the first day of the Battle of the Somme. Each participant represented an individual soldier who was killed that day. The work is partly inspired by tales of sightings during and after the First World War by people who believed they had seen a dead loved one.


“The participants wore historically accurate uniforms, representing 15 of the regiments that suffered losses in the first day of the Battle. The soldiers did not speak, but at points throughout the day would sing the song ‘we’re here because we’re here’, which was sung in the trenches during the First World War. They handed out cards to members of the public with the name and regiment of the soldier they represented, and, where known, the age of the soldier when he died on 1 July 1916.

“The day long work ran from 7am to 7pm and covered the width and breadth of the UK, from Shetland to Penzance. Sites they visited included shopping centres, train stations, car parks and high streets – taking the memorial to contemporary Britain and bringing an intervention into people’s daily lives where it was least expected.”

For further events commemorating the battles of the Somme, check out History Hub Ulster’s Belfast Somme 100 programme, supported by Belfast City Council.


Cross-posted from Slugger O'Toole.

Sunday, November 02, 2014

Elsewhere ... council funding of bonfires and the complexities of parading

Elsewhere last week I blogged on Slugger O'Toole about ...

Council funding of bonfires and asked whether this was burning public money or a necessary investment in good relations? Details of breaches of grant conditions (no flags, no political posters, no tyres etc) are now available for this summer's bonfires. However, inspections seem to be partially avoidable and evidence gathering isn't complete.

Fewer breaches found in 2014 than 2013. Most of those sites will not receive the full grant amount. Yet the ability – year after year – to still claim 70% of the funding isn’t much of a deterrent. Particularly if the shortfall is for part of the budget that isn’t core to the costs on the day.

Surely those sites which breach the conditions should only be offered a reduced grant if they apply the following year, restored to the full amount the year after if they successfully meet the full conditions.

A seminar on The Complexities of Parading was held on Wednesday evening by the Journey Towards Healing project of NIAMH Wellbeing (Northern Ireland Association for Mental Health). Gary Mason hosted the conversation, with remarks from Mervyn Gibson (minister of Westbourne Presbyterian Community Church and assistant grand master of the Grand Orange Lodge of Ireland) and Sean Murray (Sinn Féin). The two talks were followed by Q&A with the thirty or forty people present in a Belfast City Mission meeting room, including challenging responses from Linda Ervine and Deirdre Hargey.


As an experiment, I filmed the talks using a tiny Polaroid Cube camera clamped onto the side of the side of the audio recorder. More about my impressions of the Cube



Monday, March 03, 2014

The Belfast Urban Motorway (Wesley Johnston): economic, engineering, political and social drivers that created Belfast’s road network

“Fundamentally, it is a story about the contradictory needs of the people of Belfast and what they were and were not prepared to accept – and pay for – to keep their city moving.” (Wesley Johnston)
Imagine an elevated three-lane motorway encircling Belfast city centre. A mini-M25 taking through-traffic off the inner-city streets, serving all parts of the city equally? Imagine the noise and pollution from an above ground ring-road, jammed full beyond its intended capacity, severing communities with its concrete and tarmac. A monument to the victory of private over public transport?

Wesley Johnston’s new book The Belfast Urban Motorway looks back at the economic, engineering political and social forces that shaped the major transport decisions in Belfast and beyond over the last sixty years.

From the power of the Belfast Corporation, to direct rule ministers and policies from London; from communities being bulldozed for ‘the greater good’, to direct action and strong community lobbying; from the rule of cars, to a more balanced private/public transport strategy.

I spoke to the author Wesley Johnston last week and asked him about the Urban Motorway and its ambitions plans for Belfast. (You can watch some of the roads he's talking about, or just listen to the audio.)





In the 1800s, bridges were being built across the Lagan and demolished within a generation to be replaced with larger ones. In parallel with road expansion, the rail network across Ireland was still growing: 1839 saw the Belfast to Lisburn rail link open (175 years old in 2014!); Ballymena, Carrickfergus and Holywood in 1848; and finally Belfast to Bangor in 1865.
“Although most arterial routes into the city were bottlenecks, two of the most serious were the Queen’s Bridge and Holywood Arches, the latter then being part of the main road from Belfast to Holywood and Bangor.”
Those sites of road congestion in the 1920s and 1930s will be familiar to 2014 drivers! Plans for a province-wide motorway network and large approach roads converging on Belfast were formulated in the 1950s and the Belfast Corporation was keen on a ring road around the city.

In 1960 the Minister of Health and Local Government [there’s an interesting mix of areas for a department!] appointed Sir Robert Matthew to draw up a regional plan for Belfast, covering housing as well as transport. Prof Matthew’s report proposed “a ‘stop line’ beyond which the city would not be allowed to expand”. Wesley Johnston notes that “with a few exceptions such as Poleglass and Cairnshill, this stop line remains more or less intact to the present day”. People living in sub-standard Belfast housing would move to seven existing towns and the entirely new city of Craigavon. Prof Matthew also backed the plans for the urban motorway around Belfast city centre.

The book explains that four civil engineers travelled to cities in the US in 1963 and the visit “really reinforced our view – that the elevated motorway was the proper answer for Belfast”. Maybe if they had been accompanied by some less technical colleagues they would have discerned the problems “a large, noisy, elevated concrete structure through a residential area” were already causing in those US cities?

Planners in Belfast overrode concerns that “the visual impact of an elevated structure can be considerable” and the reality that “the noise pollution from traffic is much reduced by a depressed road” and sought to avoid the high water table with an above ground road on “a series of isolated foundations” that wouldn’t require “the wholesale removal of all existing utilities”.

The 230 page book dips into the DRD archives and others which remain, and is richly illustrated with hundreds of photographs, maps and diagrams showing how the evolution of road schemes in Belfast (and beyond).

Planning consultations avoided seeking the views of the communities that would be split in two as buildings were flattened to allow these new wide roads to be built. In 1969 there was a two and a half day public inquiry “characterised by a virtual absence of objections”. [Page 80 if the current Minister of the Environment is looking for tips.]

Subsequent inquiries in 1972 and 1977 had more vociferous input from community groups and unions, though often their voices were ignored or dismissed. In 1972 the Sandy Row Redevelopment Association called for the Urban Motorway plan to be rejected before their community was “annihilated”. The four main church denominations argued against the scheme that would “‘box in’ residents and physically prevent the reintegration of segregated communities”. SDLP representatives, the Republican Clubs (Official Sinn Féin) and the Greater West Belfast Community Association all voiced their concerns.

The editorial line taken by Belfast newspapers seem consistent with 2014.

In 1967 a Belfast Telegraph front page “proudly proclaimed” that the Urban Motorway plan would “shape the [future] Belfast of 1976” employing over 2,000 people and having a much reduced effect on housing than earlier schemes. Besides “a large proportion … would have been due for slum clearance”.

The Irish News was less supportive: “using an editorial to lambast the ‘paradox’ of spending so much on a ring road at a time of housing shortage, rising unemployment and wage freezes”. The nationalist paper went on to sum up the scheme’s priorities:
“Human beings are less important than giant ring roads and fantastic fly-over, that free-running traffic in the centre of the city merits greater consideration than parents and children.”
There’s a definite class dimension – gentrification – to the road schemes. Less than a third of poorer households in 1966 Belfast owned a car. Yet their houses and amenities were being pulled down to make way for the largely middle class commuters at the expense – for a long time – of any investment in public transport. A 1970 vesting order for the first phase (which became the Westlink) required the compulsory purchase of 1,2000 houses, over 200 shops and businesses, 27 pubs, 6 church buildings, 3 schools and 2 police stations.

The Urban Motorway encircling the city was to be accompanied by the appallingly named Central Distributor Box: an inner circle with two or three lanes in each direction, punctuated by traffic lights and directing drivers towards their final city centre destinations. Over half the ‘box’ was built – Millfield, Frederick Street, Dunbar Link, Custom House Square, Oxford Street, Victoria Street – but the southern end is still missing.

By the mid-1970s planners were wondering how best to balance transport investment in roads versus bus and rail services. Rail improvements were quickly ruled out, and only came back in 1988 with an all-or-nothing compromise plan for a single-track cross-harbour viaduct connecting York Street with Central Station built alongside the Lagan Bridge.

By the mid-1980s the Westlink – the ‘West Tangent’ of the original Belfast Urban Motorway plan – was open. Within a few years traffic was “far in excess of any forecast”. The induced traffic effect means that “if you provide [or improve] a road then it not only caters better for traffic that is using it, but also allows more people to make the journey”.

In more recent times, the Lagan Bridge transformed links from Bangor and Holywood to the M2 and the Westlink. A third lane was added to the M1 from Blacks Road and plans to build a flyover at Broadway roundabout were changed to an underpass along with a major civil engineering effort to divert the Clowney and Blaskstaff rivers through artificial culverts. (They wimped out of running the rivers through the roof of the Broadway underpass!) Chapter 13 of the book includes analysis of the Broadway flood when the underpass filled up with water in a mere 45 minutes on 16 August 2008.

The Westlink is only the third busiest stretch of road in Northern Ireland, behind the M2 and M3 (Lagan Bridge).

Future investment in Belfast’s transport seems sure to involve more bus lanes, rapid transit routes starting at out of town park and ride sites and terminating in the city centre, and the removal of traffic lights at York Street through a series of underpasses and ground-level roads connecting the Westlink, M2, M3 and other local streets.

Wesley Johnston’s new book has changed my commute. I no longer drive along the Westlink wondering whether the traffic will snarl up around the next corner. Instead my eye is caught by the detailing on the walls and railings, the timbre of the undulating road, and the remnants of streets that once stretched across the concrete hole that today carries traffic across the city as I remember Wesley’s commentary on the building, rebuilding and human cost on the communities it passes through.

As I drive along I ponder some of the questions at the end of the book. Should heavy goods traffic have been given its own lane along the Westlink? Would the Westlink improve if a junction/sliproad was removed?

And what kind of transport will best service Belfast, those who live there, those who work there, those who travel through, and those who rely on flights and ferries and goods shipped through the docks? Does our economy suffer if we don’t invest in transport? Can we afford not to share public behaviours by the type of transport solutions we build?

The book sucked me in – like an extended documentary – with its study of Northern Ireland’s changing transport strategy, shaped by politics and economics as well as what civil engineers thought feasible. The maps and diagrams bring the history and engineering to life.

The Belfast Urban Motorway is written by Wesley Johnston. Available for £15 from its publisher Colourpoint, as well as local bookshops and Amazon. You can also follow local transport developments on Wesley’s website and blog.

(Images from the book and NI Roads website. Review copy of book provided by Colourpoint.)

Saturday, June 01, 2013

Streaming audio and video - Mixlr and Livestream - and eliminating many of the non-live post production tasks

Over the past month or so I’ve been looking at easy ways to live stream video and audio from events.

At party conferences and other events, I’m well used to plugging an audio recorder into the back of a mixing desk (or an XLR splitter box) and then afterwards popping the SDHC card into a reader, loading up Audacity, chopping up the saved .WAV files into half hour chunks, compressing them, exporting to .MP3 and uploading them to Audioboo which tweets the world and allows the audio to be shared and embedded in blog posts.

It sounds cumbersome – and to an extent it is cumbersome – but you soon get into the swing of it, and as long as there's time to swap SD cards between speeches, I can have audio available online within half an hour or so of a speech finishing.

Processing long-form video in this kind of workflow is really out of the question. Compared with audio, the time to manipulate, edit, transcode and upload video content is vastly increased and prohibitive for fast turnaround projects that date quickly.

However, as I looked into ways that an event like next week’s four day Presbyterian Church in Ireland General Assembly in Derry could be streamed [update – they’re not going to stream it] I discovered that some streaming solutions not only offer real time feeds, but also get rid of a lot of my normal offline processing workflow too.

Take Mixlr.

There aren’t many audio-only streaming solutions. (It seems that the main way to stream audio is to use a video streamer with the audio over a fixed image.)

As long as 30–96kbps of bandwidth is available, it’ll stream audio from a laptop or an iOS device. With such low bandwidth, streaming over 3G is viable.

The audio can be accessed by anyone from your live profile page on Mixlr, and once the streaming session finishes, you have the option to save the content onto your showreel allowing listeners to access the content on-demand. It can be exported into third party services like Audioboo, SoundCloud or Dropbox. And if pay a $9.99 monthly premium you can download the saved showreel content too and embed the live stream into external sites and blog posts.

The minimal solution of using an iOS device like an iPod Touch over wifi will work on its own if you can place it near a PA speaker.

Or simply plug in a line level adapter to the headphone/mic socket that will allow you to take a sound feed straight from the PA desk.

So at a party conference, rather than post-processing the conference speeches after they’ve finished, I could simply stream them live – with or without notifying the world – and as long as the streams start and stop at the beginning and end of the speeches or sessions, they’ll be there parcelled up and ready to embed as soon as they finish.

No more half hour delay.

With a little more effort, this can also apply to video streaming.

Sinn Fein used the free ad-supported Ustream service to livestream this year’s ard fheis, with the unfortunate consequence that two minute adverts for nappies interrupted key moments of speeches.

Livestream seems to offer a good alternative. Again either using a camera plugged into a laptop or the using the camera on a smartphone, it will stream a variety of resolutions.

If you want to avoid all your viewers having to register for free Livestream accounts you need to pay a monthly fee of $49. And if you want to be able to embed the live content on an external website or blog, you’ll need to pay a whopping $399.

Like Mixlr, Livestream saves your streams and can make them available to watch on-demand or download. So pointing people at your event webpage on Livestream will show them the live content along with archived material from earlier in the event and can even include photos, textual commentary and other material uploaded to the event page.

Note that if you’re streaming a camera through a laptop – perhaps via a Firewire adapter or a Blackmagic Design Intensity converter – Livestream produces the initial stream(s) on your laptop. This is quite processor intensive and you’ll need a beefy machine if you want to produce both a mobile and an HD version. The bandwidth required is significantly greater than audio-only streaming: 198kbps for a mobile version, 446kbps for normal, 3Mbps for HD+medium+mobile versions.

A wired connection is recommended for Livestream, though I successfully produced a mobile resolution stream using an iPod Touch paired up to a 3G-connected iPad running a personal hotspot.

Tuesday, April 16, 2013

What is This Film Called Love (Mark Cousins) at Belfast Film Festival

Stuck in Mexico City for an unexpected three day layover while promoting his epic fifteen hour documentary The Story of Film, filmmaker Mark Cousins decided – in the middle of a press-up – to go out and make a film.

He took with him the laminated photograph of Soviet director Sergei Eisenstein. Walking fifteen or so miles a day, he pounded the pavements of the bustling city like a melancholic flâneur, exploring it with Sergei, and filming only using his pocket Flip camera.

I talked to Mark after the tonight’s screening at the Belfast Film Festival, appropriately filming him using a Flip camera (for the second time) to find out how his limited equipment had influenced his ad hoc film.



A male and a female voice talk over the shaky pictures taken by Mark as he marches all around the city. Sometimes he’ll stop for a rest and a drink. Sometimes the camera will rest on some facet of nature and stare for a minute or two.

With a fixed wide angle lens, a short battery life and only a built in mic, the Flip camera is limited to just two kinds of shots – wobbly and stable – depending on whether a tripod was used.

The voiceovers are fabulously detailed, referencing poetry and history as well as musing on the meaning of ecstasy. While the slow pace of the film grated at the start, I relaxed into the easy going, free-flowing narrative and warmed to the peculiar plot-less tale.

What is This Film Called Love has flashbacks galore – and flashbacks within flashbacks – along with dreams and at least three twists in the last ten minutes of the film.

Shot in three days without a thought-out plan, and edited in just nine days, the 77 minute film is a remarkable example of what you can achieve if you give a creative mind a camera and the space to think. Film buffs will love the auditory and visual references to classic movies and soundtracks. You can read more about the editing process on the film’s website and read through the storyboard that Mark crafted and (re)sorted on A6 index cards.

Sitting in the soft QFT seats watching Mark and Sergei take a gander around Mexico City, I remembered a weekend in September when I spent long periods walking through Boston city centre and over the bridge to Cambridge to wander around MIT. Fond memories of being solitary in a city, of having time to think and read and watch. Memories shattered as I returned home from the QFT to hear the news of explosions and the unfolding tragedy at the finish line of the Boston Marathon in a city I grew to love so quickly.

Tuesday, October 16, 2012

1912: A Hundred Years On (on tour from 16 Oct - 3 Nov)

If the recent spate of documentaries and marches to mark the centenary of the signing of the Ulster Covenant has intrigued you and sparked an interest in the history of this place, then you may want to catch the play 1912: A Hundred Years On as it tours around Northern Ireland over the coming weeks.



Written by Philip Orr and Alan McGuckian, the hour long play takes a wide look at what was happening in 1912, placing the overlapping events into a context, politically and culturally. Two actors – Ciaran Nolan and Gerard Jordan – assume the roles of County Antrim neighbours as they adapt to the changing situation, as well as playing the parts of the leading politicians and statesmen.

The play’s first run in March was well received, and sets the scene for the next decade of centenaries, including the formation of the Ulster Volunteer Force and the Irish National Volunteers, gun running at Larne, the Suffragist movement in Ireland, the Battles of Gallipoli and the Somme, and the Easter Rising all form a continuum of history.

Co-playwright Philip Orr says that the arts have a role in examining our history:

“We can ask questions about our past and not be scared of it; ask questions about our own past and not be seen as traitors; ask questions about other people’s past and not be seen as bigots.”

October
  • Tuesday 16 – Saturday 20 (various times) // Ulster Museum
  • Monday 22 – Wednesday 24 (various times) // Ulster Hall
  • Wednesday 24 at 7.15pm // Belfast City Hall
  • Friday 26 at 7.30pm // Hopelink Centre, Carlisle Circus, Belfast
  • Monday 29 at 7.30pm // Braid Arts Centre, Ballymena
  • Wednesday 31 at 7.30pm // Drumalis Retreat Centre, Larne

November
  • Thursday 1 November at 7.30pm // Alley Theatre, Strabane
  • Friday 2 November at 7.30pm // Glenavna Hotel, Cookstown
  • Saturday 3 November at 7.30pm // Enniskillen Library
  • Monday 5 November at 7:30pm // Kilmorey Arms Hotel, Kilkeel
  • Tuesday 6 November at 6:30pm // National Museum of Ireland, Dublin

Full details of how to book tickets – which all seem to be free – can be found on the Contemporary Christianity website, whose Centenaries Cluster Group arranged for the play to be produced.

The project has received the support of NI Community Relations Council, the Department of Foreign Affairs/Anti Sectarian Fund, and the Lyric Theatre.

Saturday, March 10, 2012

The Dock café opens in Titanic Quarter

The Dock logo

Embedding a chaplaincy in Titanic Quarter is the mission of Chris Bennett, Karen Spence and The Dock helpers and supporters.

Hundreds of apartments have sprung up over the past few years behind the Odyssey. Thousands of people work in the white/glass buildings that stretch from Citi, past PRONI, past the Paint Hall and down to the NI Science Park. Thousands work and study at the new Belfast Met campus. And thousands of tourists (and locals) will shortly embark on a pilgrimage to the Titanic Belfast building to find out about the boat that was all right when it left here.

In the midst of this, a team of Christians representing a wide range of denominations (and none) are working hard to make sure that Titanic Quarter is more about people than buildings.

Photo taken at The Dock's Meet The Neighours night

A weekly Dock Walk (starts at 3.33pm every Sunday afternoon outside the Streat in the Odyssey) and Meet the Neighbours events are some of the first tangible signs.

While the ultimate plan is to be based on a boat moored in behind the Odyssey, The Dock recently got the keys for one of the vacant shop units under the ARC apartments under a 'meanwhile lease' and have opened it as a café. (A meanwhile lease allows a charitable organisation to have the use of a vacant space until a permanent paying tenant can be found.)

The café sources everything as much as possible everything locally. A milk float delivers glass milk bottles. The tea and coffee are manufactured in the city. The buns are from a local bakery. The art on the walls are from a local gallery. Much of the furniture is second hand (with just a little help from Sweden).

Open Tuesday to Friday from 11am to 7pm, and on Saturday from 11am to 5pm. A place to meet, to talk, to work, to think.

Call in and Tegan the barista will brew you up a hot cup and select one of the very fine buns. Given The Dock's lease, there is no price list and no charge. Instead you can show your appreciation by dropping something into the honesty box.

The Dock Cafe bar - honesty box

As you can see from the silent video above, the café officially opened on Thursday afternoon with a packed crowd. You can also catch The Dock in Sunday night’s Songs of Praise from Belfast which is celebrating the Titanic.

Saturday, February 11, 2012

Tuneful singing of rubbish songs - street cleaning opera-tives as part of Belfast City Council's anti-litter campaign

Liverpool may have singing bins, but Belfast has gone one better with its singing bin men street cleaning operatives.

Belfast City Council is currently running a number of anti-litter campaigns. Taking a short-cut up Lombard Street on the way back towards the Cathedral Quarter at lunchtime, we bumped into this tuneful team who were out spreading the message ... and helium balloons.

Outfoxed - as cunning as an iPhone game developed in Belfast and voiced by Jackie Fullerton

Outfoxed screenshot

Local games company Billy Goat Entertainment launched their new iPhone game Outfoxed™ on Thursday night in their Belfast office.

It’s a 3D platform game that puts you in the shoes paws of a crafty fox that is raiding the local chicken farm for lunch. Watch out for the knife-wielding farmer’s wife, or the owner himself brandishing a shotgun. Get past them and you'll have to dodge the hounds.

With a desire to use local talent, animator William Barr turned to fellow Ballymena man Jackie Fullerton (sports commentator and silver fox) to provide the distinctive and distinguished voice-over. As the fox moves around farm, Jackie chips in with witty one-liners that could soon become his catchphrases.

Check out the video to see a demo of the video and hear Jackie and William discuss Outfoxed™ as well as the state of the local games industry which is steadily expanding, with a couple of small companies making a mark in the iPhone app/games scene already. Billy Goat received seed corn funding from the Creative Industries Innovation Fund (administered by the Arts Council NI for DCAL).

Outfoxed™ has now launched on the iTunes Apps Store and is compatible with iPhone, iPod Touch and iPad. There are plans to port the game to Mac and PC too. Priced at £1.49, Pocket Gamer website describes it as “chicken pickin’ good”.

Updated with a link to a video from Billy Goat explaining new features available in the next release ...

Friday, January 27, 2012

Newt Gingrich: a space cadet with ideas that are out of this world?

By the end of my second term, we will have the first permanent base on the moon and it will be American. (Newt Gingrich)

It certainly qualifies as a BHAG - Big Hairy Audacious Goal for anyone lucky enough to be steeped in management speak. An injection of ambition and cash into the state space industry would be a big sweetener to people listening to Newt Gingrich's message at his Florida campaign rally.

We will have commercial near-Earth activities that include science, tourism and manufacturing, because it is in our interest to acquire so much experience in space that we clearly have a capacity that the Chinese and the Russians will never come anywhere close to matching.

But does the US have that kind of money to spare given the economic conditions and the problems it faces down on Earth? In the Telegraph, Ed West argues that Newt Skywalker's idea is inspired rather than foolish:

Then there is the money; a manned mission to Mars, which would be the next logical step, is estimated to cost in the region of $450 billion, which is quite a lot. But put it in perspective: the total cost for American taxpayers of the wars in Iraq and Afghanistan was recently estimated to be between $3.2 and $4 trillion. And on welfare, one think-tank estimates that Barack Obama’s various programmes will cost a staggering $10.3 trillion over a decade.

However, the return on investment of establishing a moonbase is going to be small ... unless someone opens a tuck shop and alien species queue up to buy coke and fries! Monetising the research discoveries made in space is likely to be slow. And eight years is a short time in which to develop, design and test an enormous range of kit to create a moonbase, never mid transport it up there. As Ed West notes:

... after the retirement of the US space shuttle fleet, NASA can’t even get to the International Space Station alone, let alone 250,000 miles away.

Perhaps Newt's answer to his doubters - which include fellow candidate Mitt Romney - should be to look across the border and enlist the help of two Canadian 17 year olds.

Mathew Ho and Asad Muhammad sent a Styrofoam capsule carrying a Lego figure holding a Canadian flag 24km up into space - that's "three times the typical cruising altitude of a commercial aircraft". Lifted by a weather balloon and carrying four cameras (including a GoPro) and a mobile phone that sent out its GPS position when it was within 7km of the ground - particularly critical to help find the device when it returned 97 minutes later! - the home made space vehicle even had a home-made parachute to soften its landing. Check out the article in the Toronto Star for more details.

Maybe a couple of teenage Canadians could inspire the US to the moon ... and beyond?

Cross posted on Slugger O'Toole.

Tuesday, January 17, 2012

Books alive!

Organising your bookshelves is important. Over on Youtube, crazedadam has uploaded two beautiful films of his bookshelves - and then a whole bookstore - organising themselves.

While I'm posting videos, as an old scholar it would be remiss of me not to note this year's much talked about promotional video from Friends School in Lisburn.

Saturday, December 31, 2011

Review of 2011

2011 was the year that the Irish Blog Awards came to Belfast and shut up shop, TEDxBelfast was run locally, and the RISE sculpture (better known as the Balls on the Falls, or the Westicles) finally appeared on the Broadway roundabout. NI newspaper consumption continued to fall and former editor Steve Dyson reviewed the local papers.

Children of the Revolution (Bill Rolston), Turas (Colin Neill) and Evangelical Journeys - choice and change in a Northern Ireland religious subculture (Claire Mitchell and Gladys Ganiel) were good reads. In March, I helped give away 48 copies of The Curious Incident of the Dog in the Night-time as part of World Book Night. Philip Orr’s play After Dresden had a public reading in Fitzroy Presbyterian church and remains a thought-provoking piece of theatre.

Talking to Rob about the Eleventh Night bonfire in King George V Playing Fields in East Belfast (mp3)

After a night of bonfires, walking around Short Strand with the Lord Mayor and a morning of following District Lodge Number 6 around Belfast, I spent a fascinating afternoon with friends at President McAleese’s 12 July garden party in the grounds of Áras an Uachtaráin, her Phoenix Park Dublin residence. Visiting the set of children’s puppet show Pajanimals was fun too.

Increasingly I got wound up about education in Northern Ireland.

Both the outgoing Presbyterian moderator (Norman Hamilton) and the incoming one (Ivan Patterson) agreed to interviews in early June and spoke about their experiences and hopes. And I got Occupy Belfast to explain why they had set up camp opposite Stan's St Anne's Cathedral.

In the run up to the May 2011 elections, I posted interviews with representatives from smaller partieséirígí, Green Party, IRSP, PUP, Socialist Party and Workers Party – as well as independents Dawn Purvis and Stephen Stewart.

There was much charting of the make up of the Assembly election candidates, and analysis of the cost of getting elected and the price of postal votes.

Technically, the BNP are running the highest proportion of female candidates (1 out of their total of 3 candidates = 33.3%). Alliance are next with 31.8% female candidates, then Sinn Fein (27.5%).

A post about Martin McGuinness' matter-of-fact claim at a town hall event that the murdered PSNI Constable Ronan Kerr had been a Sinn Fein voter ended up on the front of the lunchtime edition of the Belfast Telegraph a couple of hours later.

Through sheer bloody-mindedness – and sugar intake – I was one of only eight people to witness the NI result of the AV referendum, and filmed it for posterity!

A lot of party conferences were attended and covered in posts on Slugger O’Toole. I suggested that Sammy Wilson's conference jokes were contrary to the DUP leader's speech and spent a day up at the Assembly just before Christmas (asking MLAs to give their end of term report for the work of the Assembly). Can you name all sixteen?

End of term report: how do MLAs assess @niassembly performance? (mp3)

Our electric blanket must have come fairly close to setting the bed (and the house?) on fire.

Four weeks on and the Ulster Bank website is still encouraging Mac users to Dowload [sic] security software.

Over the year, it’s been good to see The Dock taking steps forward in the Titanic Quarter as it puts in place a community hub and a space for faith possibly on an actual boat moored behind the Odyssey. I’ll finish this post with the words handed around by one of the The Dock’s chaplains – Chris Bennett – this time last year at the end of a Dock Walk. His prayer for 2011 still rings true for 2012.

Dear Lord, please give me

A few friends who understand me and remain my friends;

A work to do which has real value,
without which the world would be the poorer;

A mind unafraid to travel, even though the trail be not blazed;

An understanding heart;

A sense of humour;

Time for quiet, silent meditation;

A feeling of the presence of God;

The patience to wait for the coming of these things,

With the wisdom to recognize them when they come.

Amen.

Happy New Year.

Sunday, December 18, 2011

Welcome to Wenceslas

Wenceslas has come to live with us. He's a hamster. He moved house from his breeder in East Belfast yesterday afternoon and moved into his new home. Tissue paper was provided. Over time he dragged it all down to the bottom corner of the cage. One sheet he even lifted and dropped over the edge from the raised platform to the ground floor of his compact and bijou accommodation! And while we were out of the room - but while the timelapse camera was still running - he even managed to climb upstairs without using the tube.

My first impressions are that hamsters are clever, nimble beasts, and quite adept at problem solving.

Friday, November 04, 2011

Fireworks

As a child, I used to look out the window on the evening of 5 November to see the fireworks display that was set off from the nearby army base. In recent years, I remember flying back home from England and being able to watch fireworks displays from above, little pin pricks of explosions, mushrooming over the English conurbations.

Last night, along with many local people, I got to see the army's display - held in conjunction with Lisburn City Council, and with its mayor Councillor Brian Heading (SDLP) in attendance.

Update - Oban's community fireworks display suffered a technical hitch, setting off the entire display in the first 60 seconds ...

Friday, September 23, 2011

Culture Night ... tonight in Belfast, Strabane, Derry and beyond

Across Ireland, tonight's the night when arts taster events will be run in a town near you ... for free. Last September, Belfast's Cathedral Quarter was buzzing late into the evening as families walked around the streets, guided by maps and diverted by what their ears and eyes could pick out of the smorgasbord of music, pictures, talks, dance, comedy, street performers and one man soulfully playing trumpet from an upstairs window.

Tonight, the organiser has crammed in even more events, and even more activities for children. Check out the Culture Night Belfast website. Culture Night is also being celebrated in Derry and Strabane, as well as many other towns and cities across Ireland.

Monday, August 29, 2011

Love story in milk ...

The path of true love never did run smooth... especially if you're a milk bottle. It brings out the sentimental in me ...

h/t to In These Heels and Friends of the Earth

Wednesday, July 13, 2011

Catch up of posts documenting the #Twelfth around East Belfast

Over the past few days, I’ve been posting on Slugger O’Toole about a range of events and activities associated with the Twelfth. I’ll not repost everything here on Alan in Belfast, but you may be intrigued to read more about.

Five minute guide to building a bonfire - the construction effort to build the enormous pyre in King George V Playing Fields in East Belfast.

Talking to Rob about the Eleventh Night bonfire in King George V Playing Fields in East Belfast (mp3)

A ten minute conversation with (Lord Mayor and Sinn Fein councillor) Niall Ó Donnghaile as we walked around a deserted Short Strand at 11.30pm, half an hour before the bonfires were lit across the wall on the Newtownards Road.

Some imagery (video and photos) from East Belfast bonfires.

A long post detailing conversations, photos and video as I followed Ballymacarrett District Lodge No 6 through parts of their Belfast parade on the Twelfth, including footage as it passed the lower end of the Newtownards Road, comment from the District Master, spectators, protesters and stall holders.

A drum major showing off during the break in the Belfast parade.